Book Reviews, Graphic Novels

Farewell to Fables, the smoldering mess of mostly bad ideas

This final Fables volume ended much more nicely than its sister series, Fairest, did. Like most of the Fables-verse, however, it’s still a mixed bag.

Half of this volume — an extra-long 150th issue numbering over 150 pages — is devoted to resolving the looming battle between sisters Snow and Rose, and the latter half is made up of short stories (1-5 pgs. each) giving farewells to as many of the cast as they could squeeze in.

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Book Reviews, Graphic Novels

Farewell to Fairest, the dumpster-fire of misogyny and naive political diatribes

series supervised by Bill Willingham

Bill Willingham’s Fables universe is incredibly addictive, yet only seems to make me grumpier and grumpier with every page.

The final Fairest arc follows in the footsteps of the two prior collections: The Return of the Maharaja (2013) and Cinderella: Of Men and Mice (2014), meaning it’s barely relevant to the universe set-up by Fables and even less relevant to the advertised purpose of the Fairest spin-off — i.e., “The women of Fables in a series all their own!”.

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Book Reviews, Graphic Novels

Marc Andreyko’s Fairest, vol. 4: Cinderella — Of Men and Mice (2014)

series supervised by Bill Willingham

This story arc in the Fables-verse illustrates too many of the issues inherent in the Willingham’s universe. To start, Fairest is a series meant to give character to the oft-underdeveloped women of Fables, and the advertising gives the suggestion they’re going for an outdated “Girl Power!” approach.

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Book Reviews, Novels

William Gibson and Bruce Sterling’s the Difference Engine (1990)

I feel obligated to like the Difference Engine a whole lot less than I did. People really dislike it, and the usual round of complaints makes a long, valid list. It’s a dense 450 pages — most of it spends time on world-building chit-chat and important ideas rather than a coherent plot.

While the reader questions if the story’s going anywhere, the world itself is fascinating, so complete in its details and sense of accuracy that it’s difficult to leave the polluted, industrial-analytical world. The Difference Engine is cut into three sections following the lives of Gerard, Mallory, and Oliphant on the trail of Gibson’s usual macguffin — a collection of programming punch cards: The explanation and importance of which is buried so deeply that many readers never understand why they’re important. All three heroes only spend a fraction of their pages worrying about punch cards and social turmoil — mostly we follow paleontologist Edward Mallory in his day-to-day business as he bumbles into characters and conspiracies that are vaguely associated with the plot.

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